Category Archives: Stoicism & pop culture

Stoic movie review: Trumbo

TrumboSeems like these days the movies are presenting us (unwittingly, I’m sure) with a number of good Stoic role models, sometimes entirely fictional (astronaut Mark Watney in The Martian), at other times based on real life people (lawyer James Donovan in Bridge of Spies). Of course, a good explanation of this phenomenon is simply that I have started looking at things in general from a Stoic perspective during the last year or so, which means I’m just now paying attention to what was already there.

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Stoic movies review: Bridge of Spies

Bridge of SpiesThis seems to be the season of movies featuring what I would consider strong Stoic characters. I have recently written about The Martian, the story of astronaut Mark Watney, played by Matt Damon, who faces overwhelming odds against his survival as a stranded human being on the red planet.

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Stoic movie review: The Martian

movie-The MartianThe Martian, a movie directed by Ridley Scott, starring Matt Damon and based on the book by Andy Weir, is one that Stoics would want to see. (It’s good for non Stoics as well…)

I read the book last year, and immediately wondered why nobody had done a movie off it yet. It is a very geeky book (and a somewhat geeky movie), with pages after pages of detailed explanations of how “Martian” (actually a NASA astronaut stranded on Mars) Mark Watney manages to hang around by himself on the Red Planet until he can be rescued by another mission.

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Stoic movie review: Amy

AmyStoicism was meant from the beginning as a living philosophy, something to practice throughout your life, not just discuss from the armchair. Accordingly, I have recently started to apply a Stoic perspective on a number of things I do or experience. One of these is watching movies and documentaries. What follows, then, is an attempt at a “Stoic” review of the 2015 documentary “Amy,” centered on the tragic figure of British singer Amy Winehouse, who died in 2011 at the age of only 27.The documentary — directed by Asif Kapadia — is, in my opinion, well done, though it includes a lot of low quality footage of Winehouse’s childhood and, at 2 hours and 8 minutes, is arguably unnecessarily long.

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